On the evening of 24th March 2026, British metalcore band Employed To Serve delivered a ferocious and chaotic performance at the The Adrian Flux Waterfront Studio in Norwich.

Part of a packed UK tour schedule, the show drew a dedicated crowd into one of the Norfolk’s most respected alternative venues.

Formed in 2011 in Woking, Surrey, Employed To Serve have steadily built a reputation as one of the UK’s most favourite female fronted heavy bands. Founded by vocalist Justine Jones and guitarist/vocalist Sammy Urwin, the band’s lineup also features David M Porter on guitar, Nathan Pryor on bass, and Casey McHale on drums. Their sound blends metalcore, hardcore, pairing chaotic riffs with a strong female lead. A perfect mix for metal fans.

Over the years, the band have released a string of critically praised records, beginning with “Greyer Than You Remember” (2015) and followed by “The Warmth of a Dying Sun” (2017), “Eternal Forward Motion” (2019) and “Conquering” (2021). These releases helped cement their reputation for intense live shows, something that was on full display in Norwich.

Their recent album, “Fallen Star” (2025) was fully showcased during this headline tour, giving fans the full on live experience.

The Waterfront Studio, a smaller and more intimate sister space to the main Waterfront venue, proved the perfect setting for the band. Housed in a converted riverside warehouse, the room filled quickly as fans gathered close to the stage, creating a sense of anticipation before the band even appeared.

Local band “Bind” and tour support”Cage Fight” warmed up the crowd, making the anticipation build considerably before the main act.

When the lights dropped, the energy in the room shifted instantly. Cheers erupting as the band launched into their opening track “Treachery”.

Tracks such as “Atonement”, “Familiar Pain”, and “Now Thy Kingdom Come”, from the newest album, were met with explosive reactions, while older material added a nostalgic edge to the set. The band balanced relentless aggression with moments of calm and atmosphere, giving the audience little time to catch their breath between songs.

At the centre of it all was Justine Jones, whose commanding stage presence anchored the performance. Switching between guttural screams and sharper, rhythmic delivery, she drove each song forward with intensity. Sammy Urwin complemented this with crushing guitar work, often stepping forward to share vocal duties, adding another layer to the band’s already dense sound. Behind them, David’s guitar textures, Nathan’s heavy bass lines, and Casey’s precise, thunderous drumming combined to create a wall of sound that filled the compact venue.

The crowd responded immensely. The small room quickly became a sea of movement. Mosh pits forming and collapsing in waves, while others shouted lyrics back at the stage. Despite the heaviness, there was a strong sense of unity in the room, reflecting the band’s core message of resilience and collective energy.

As the set drew to a close, Employed To Serve delivered a final burst of intensity, leaving the crowd exhausted but exhilarated. Blasting out encores “Who’s Side Are You on” and ending on “From This Day Forward”, the atmosphere lingered long after the last note rang out. Fans spilling out into the Norwich night still buzzing from the experience.

In a venue known for its rich musical history and close-up performances, this show stood as a reminder of why Employed To Serve continue to rise within the heavy music scene. Their blend of ferocity, technical precision, and emotional depth translated perfectly to the intimate setting, making the 24th March 2026 performance at the Waterfront Studio a night to remember.

To find out more about Employed To Serve, follow them on Instagram

@employedtoserve

Words and pictures by Haylea Allison

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