Tom A. Smith is a young singer-songwriter from Sunderland making waves in the UK indie scene. Despite his youth, he has already built an impressive following. Even at a young age, he had performed on big stages — including Glastonbury — before most of his peers had even formed a band.

Over the years, he has supported established names such as Sam Fender and Catfish & The Bottlemen, as well as more unexpected legends — most notably Elton John, who selected Tom to open his Hyde Park show.

Musically, Tom A. Smith has a warm, euphoric indie sound. His debut EP, was produced in collaboration with Larry Hibbitt (of Nothing But Thieves / The Snuts / Sea Girls), and his vocal tone has often been compared to Robert Smith of The Cure.  He has released a string of EPs, and his songwriting continues to mature — his recent EP “Say What You Want”, released in September, displaying playful lyrics and an 80s-inspired, new-wave production.

On the industry front, Smith has been gaining serious recognition: his music has been played on BBC Radio 1, Radio X, Absolute Radio, and he has received strong support on streaming platforms. He’s currently on tour with The Lottery Winners, whipping up a storm. This is where we got to experience the wonder that is Tom A. Smith

Tom’s set in Norwich on the 22nd November at the LCR was a five song show that was a perfect support for the main show.

From the moment he stepped on stage, Tom brought a quiet confidence that belied his years. He was backed by a tight band, and his performance balanced vulnerability and energy — an infectious sincerity ran through his delivery. Telling the crowd, the tour has been “so much fun,” and he praised the Lottery Winners crew as “amazing.”

Tom played several of his signature tracks from recent EPs, including “I Don’t Blame You” and “Fashion”, from his latest release, weaving in heartfelt lyrics with catchy choruses.  At times he paused to connect with the audience, creating moments of intimacy in the often electric atmosphere.

Musically, the set showed growth: older indie-style guitar-driven songs sat comfortably alongside more synthesised, experimental tracks — reflecting Tom’s evolution as a songwriter and performer. The production felt polished but not overproduced, letting Tom’s voice remain front and centre. The crowd seemed drawn in: there was genuine applause after quieter numbers, and more animated cheering during the upbeat highlights.

Overall, his Norwich performance felt like a coming-of-age moment. Even in a support slot, Tom A. Smith proved he can command a stage, engage a crowd, and deliver emotionally resonant songs. There was a sense that he is not just “an up-and-comer” — he’s already running.

Tom A. Smith’s trajectory so far suggests he’s one of the most exciting young British singer-songwriters around. With a strong back catalogue, major touring experience, and a stage presence far beyond his years, he seems poised for big things. His set at The LCR in Norwich was a vivid snapshot of where he is now — and a promising hint of where he’s going next.

To find out more news, upcoming shows and listen to his music, find him on his Instagram and Spotify

• Instagram
• Spotify

Words and Photography by @hayleajaynephotography